Ever since we started thinking about the finishing spaces in the firehouse we’ve been pondering and pinning and discussing art. There is so much out there, especially when you consider price points and style. We landed on two principles to help guide our search.
While we’d love to have all original pieces, we really still need money for food… and a firehouse renovation. Still we see authentic art (original works or limited edition, numbered pieces) as an investment in artists. As artists ourselves we care that artwork is valued. We want to own unique pieces that may have value down the road. That led to principle one: We will only buy original signed pieces or limited edition (numbered works.)
We are so fortunate that we agree on most aesthetic choices for our living space. When it comes to art, there’s a little more divergence. I’ve long been a fan of impressionism, especially Claude Monet, and that’s just not Aaron’s jam. He often gravitates toward sculptural pieces and I rarely think those work in residential spaces. Luckily there’s still a huge middle ground. We both love moody work (show us just about anything with fog and we’re captivated.) We also have a huge appreciation for mediums that we have no skill in, like drawing. And, thankfully, he likes some impressionistic work 🙂
This drove our other guiding principle: We both have to like any piece we purchase. That doesn’t mean we both have to be heads over heels about each piece, but we both have to appreciate it and want it in our house.
Obviously, this is going to be a process. We’re not running to a big box store to grab something to hang on the wall just because we want a room done. But we appreciate the process. We love that it gives us a reason to walk through an art fair (and maybe walk away with one of my favorite pieces of art to date – the guy at the end of this post who really deserved his own feature. Love him! ) while we envision different works in our space and discuss what we like (or don’t) about a work.
Sometimes that discussion and the decision to buy is really, really easy.
In a recent jaunt to the Green Shag Market this piece instantly caught my eye. I didn’t say anything because I wanted to see if Aaron noticed it as well. It took less than 60 seconds for him to say “Woah! Look at this piece.”
So, yeah, we both like it. It’s a relief print, which may be a little hard to see in the pictures. It has lots of movement and obviously a huge burst of color, which offers some nice contrast.
It’s an interesting piece because it’s understated and bold at the same time, quiet and loud, a great juxtaposition.
And it’s named, signed and dated. “Release” by M. Dean, number 9/50 from 1978.
We did a quick check via Google just to see if we had stumbled upon a gem. We think it’s a piece from Meredith Dean, an artist who studied at Washington University in the late 60’s and late 80’s. She’s been heavily involved in the art world and currently is a professor at the University of Texas at San Antonio. We think it’s one of her early pieces. We reached out to her but haven’t heard any response.
None of that really mattered, we were happy to tote this piece home with us. (Although if we ever run across an awesome, piece like Yellow Brick Home did, I’ll do a seriously nerdy, white girl happy dance in the middle of the store.) It doesn’t have a home quite yet, but it’s ready and waiting for the right space.